>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Страх остаться на улице или вернуться в мухосрань
мимо понаех
ОПЯТЬ НА РАБОТКЕ ПИЗДОС
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Необходимость зарабатывать деняки и плотить еботеку.
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Необходимость зарабатывать деняки и плотить еботеку.
Ничего. 25 лвл, ни дня не РАБотал и не собираюсь. Пусть мать РАБотает и содержит всю жизнь.
Завтраки в МакДаке
Я серьёзно
Боюсь огорчить маман
Деньги, разумеется. На них можно купить всей хуйни и попутешествовать
для курящих работяг:
два дня жрал гороховый суп, знатный пердеж от него
Не страшно, что завтра внезапно маман под машину может попасть?
Ипотека нахуй. Только она не мотивирует, а говорит: "Вставай ёбаный шашлык, на работу пора".
Пиздос
спс
>первый в этом году
Ебучие кредиты
И что? Выйдет из больнички и дальше пойдет РАБотать.
> Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Любовь к работе
Простите джентльмены, а в ваших тредах приветствуются студенты?
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
мимимилфочки красивые:з
> Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Моя московская айтишная зарплата, /thread.
А если серьёзно, то я заебался уже хикковать за каникулы. Время пиздовать в ламповый опенспейс и что-то там делать, с людьми общаться, работу работать и вопросики в курилке обкашливать
Только работящие, которые писю начальника уже нюхали
Опять работать за 15 тысяч
> я заебался уже хикковать за каникулы
Это как вообще?
Прошу прощения, в таком случае я удалюсь из вашей беседы.
В каких ебенях столько платят? Мимо Белорус
студент даже хуже работобляди, им ведь даже не платят за проебанное время
Легкого дня работягам. Ебать я охуел, сам РННщик, решил устроиться на работу, проработал 1 час и ушел со смены, ну нахуй, это пиздец. Такой вопрос: вот я заключил договор, а что если я просто не буду теперь ходить? Трудовой нет и записей в ней тоже.
Да вот как-то так.
Тян нет, друзей полтора человека. Все выходные залипал в сериалы. Пробовал в игры, но уже возраст и игровая импотенция. Через неделю начало надоедать, а как развлекаться больше одного-двух дней — я хз.
Стокгольмский синдром? Тебя объёбывают, а ты и рад?
Я для себя решил что убью человека или даже двух, если успею и сяду в тюрьму, но работать не буду никогда.
ПРОСНУЛАСЬ КАК И ПОЛАГАЕТСЯ ИСТИННОЙ ЛЕДИ ОТ КУНИЛИНГУСА НАКАЧАННОГО КРАСАВЦА
Я долго старался, чтобы попасть на эту работу, и хотел попасть с детства
Куда понаехал? Кем работаешь? Сколько плотют?
да им похуй, анон. они таких как ты много повидали
Представь себе, уже ебаный 5 курс мед универа и учится минимум ещё 3 года. За все время у меня не было СВОИХ денег, хотя бы касарь, потому что я нихуя не умею зарабатывать, да и совмещать заработок с учебой в этой параше невозможно. Родители башляют 1500 на неделю и это очень мало. С первого курса цены на ВСЕ повысились в неебических размерах, сиги на 40 рублей, маршрутка на 5 рублей, да даже ебучая шаверма. Похуй, но если у тебя случиться такое, что выходит за рамки твоего бюджета, к примеру позвать тян в кино (это минимум 500 рублей), или пойти с друзьями в кальяную, то ты будешь заразег нахуй на уже середине недели, и оставшмеся дни приходиться курить сиги нз и питаться бич пакетами блять, вот ещё бп старой пекарни наебнулся, так я хуй сейчас 3 касаря достану!!!
Кстати у меня брат как-то сидел год и не работал. Маман ему сразу пояснила: из дома выгонять конечно же не станет, но в холодильнике будет базовый набор в виде макарошек и гречки. Не потому что назло, а потому что маман в одинокого не потянет.
Ну и интернет, мол, сам оплачивай. В итоге для него даже поиск этих 500 рублей в месяц был тем ещё челленджем.
Так что я хз, нахуй бы такое содержание, при котором ты живёшь чисто по дефолту в режиме «жрать-спать».
Ниче не будет. Похуй.
Лучше б в айти шёл.
мимоайтишник
Похожая хуйня была. Правда мне давали 500 рублей на неделю 2005 год
Двачую этого
другой айтишник
В Москву. Айтишником. 120
Мне мать и продукты хорошие покупает и интернет оплачивает, и гаджеты какие-никакие есть. Она обязана. Раз родила - то содержи всю жизнь. Или я пойду на улицу убивать людей или платите мне деньги.
Чёт маловато, но для старта сойдёт.
Мимоайтишник
А в мухосрани сколько получал?
У меня на работе бесплатная столовка. Так что меня мотивирует желание пожрать.
Не представляешь как я вам завидую Смотрю обзоры офисов на ютубе, блять это мечта а не работа, кафе с бесплатными завтраками прям в офисе, опенспейс, ахуеные туалеты, фитнес клубы. Это очень классно, умные люди пошли в айти в свое время.
Ну я с октября всего. Уже сам понял, что продешевил. Общаюсь сейчас с рекрутеркой на счет 200. Думал, нахуй пошлет, а она и не против
70
до обеда оставалось 3 часа 30 минут
+++
ух бля, щас начальник начнет ебать
У нас нет завтраков (бесплатных), но есть фрукты и всё такое. Опенспейс ламповый, но с туалетами залупа, так как на весь технический этаж один мужской туалет с тремя писуарами и одним сральным местом, при этом очевидно, что кунья подавляющее количество. Приходится иногда ходить срать на другой этаж, к гуманитариям и продаванам, да.
Ну а качалка бесплатная сберовская есть, да :3
Сижу в этих тредах ридонли со второго курса, то бишь с 2018. Сейчас на 4. Я Птушник.
Лол. Не работаю, делаю на барыганстве на авито минимум 10к в месяц. Ещё и удачно майнить начал в 2017, купил себе бу машину, в 17 то лет.
>купил себе бу машину
Ебанько, мог бы лучше вложится куда, ой ты даун сразу видно РАБотоблядь, машинка, квартирка, кредитик))))00
>
Не исключено, есть люди с прошаренными на бизнес мозгами, это генетическое, такие как ты всегда будут успешны в плане денег. У меня есть знакомые, которые со средним образованием на мерсах разъезжают.
Месяц валяюсь в больнице и не иду на РАБоту
Но боюсь похмельных врачей
Но боюсь похмельных врачей
Мне в ПТУ ездить удобно на ней, и хлам для перепродажи транспортировать. ПТУ находится в селе, на автобусе ехать 40 минут с пересадками я ебал, на машине за 12 минут доезжаю. Вкладываю сейчас в студенческую визу.
Всем доброго утра!
Бля, как же я ненавижу эти праздники. С ними весь режим идёт по пизде. В итоге сегодня лег почти в два ночи, а поспал всего часа полтора от силы. На часах 6.36, пока что чувствую себя норм, но с 8 часов пиздец рубить в сон начнет. Дай бог дожить до вечера
Бля, как же я ненавижу эти праздники. С ними весь режим идёт по пизде. В итоге сегодня лег почти в два ночи, а поспал всего часа полтора от силы. На часах 6.36, пока что чувствую себя норм, но с 8 часов пиздец рубить в сон начнет. Дай бог дожить до вечера
Ставил капельницы от интоксикации? Помоогают?
А я понял, вы порноакртёр!
деньги...........
Сейм шит, я вообще решил не спать, т.к уснул в такое время прошлым утром.
Если бы,но нет
Шоб снять хату и свалить от родителей, очевидно же
24 лвл
24 лвл
Но весь мой "бизнес" идёт в серую. Если меня налоговая поймает за жопу, я сосну.
Спал три часа,хуярю на завод
Ипотека ебаная мотивирует. Если бы не она - сегодня же накатал бы по собственному
А что, майнинг ферму необходимо как то юридически оформить?
а жил бы на что?
Тоже спал всего 4 часа нахуй. Тупо не смогу уснуть? Что эта за хуйня ? Почему не получается уснуть?
На накопления.
пфф, а потом на что жить?
Бухой отчим разбудил скандалами
Чуть поработать и опять отдыхать
Ну тебя то отчим разбудил. Я тупо не мог уснуть (какие-то мысли, а пот бросает)
у меня так не получается, все трачу
Одной из самых тупых работ, я считаю продавец консультант(разумеется с исключениями, везде есть бодрые ребята) Это, как правило, крайне некомпетентные люди, которые нихуя сами не понимают в том, что продают. Любое минимальное увлечение, тем или иным товаром, приводит к тому, что ты начинаешь соображать в нем куда лучше самих консультантов. Это работа в основном для ленивых аматоров, которые нихуя не умеют и не хотят, просто их заставили мама, или голод, или аренда жилья, или все это в купе, делать хоть что то. Не грязно, не тяжело, мало денег- все что нужно современному молодому человеку. Порой удивляюсь тому, что приходя в рестор например, на вопрос че как и тд, консультант начинает искать ответ в интернете. Ассортимент блядь три ноутбука и два айфона, и шкаф с китайской хуйней типа проводов и чехлов. И при этом нельзя выучить досконально эти продукты чтоб молниеносно отвечать. Речь не идет о том чтоб знать герцы гегабуты и прочую хуйню наизусть, речь о том, что непонимание своего товара, это маркер незаинтересованности. На таких работах не живут полной жизнью и не развиваются, на них вы в режиме сохранения. Просто ожидание конца смены и 20 числа зп. Перманентная подготовка к чему то, типа консервация до лучших времен, пока ищу нормальную работу(которой не будет никогда в большинстве случаев). А ведь сука блядь так просто стать профессионалом хотя бы в чем то. Хотя бы в ебаных айфонах. (это пример просто , еще хуже обстоят дела, связной мвидео, массмаркеты одежды там ваще пиздец и тд).
Безусловно и оттуда можно выжать профит, навык общения, убеждения- минимальный скил продаж, но это не про тех чуваков о ком речь, им рили пихуй, они лоурайдеры) но это уже совсем другая история.
Кароче, если хотите что то выбрать нормальное, никогда не слушайте консультантов а залетайте на е-ката.. ой извините.
изучайте товар сами, по отзывам, по обзорам и тд.
А если вы сами продавец консультант, то завязывайте заниматься хуйней и превращайтесь в компетентных, это не разминка перед чем то, вас один хуй жизнь отфильтрует и оставит на том же уровне, если не появится энтузиазм и умение возлагать на себя ответственность. Стопудово не придет на почту письмо из газпрома с приглашением занять пост топ менеджера. А как будет? Просто сменится фирма с связного на рестор и тд. И это не страшилка, ровно так у абсолютного большинства все и сложится, не самый худший вариант кстати. Но надо ли оно вам? Можно же куда пизже)
Есть мысли на этот счёт?
пикрил - кандидаты, пришедшие на собеседование на должность продавцов-консультантов
Да, спермбанк, например, может блокнуть перевод денег и попросить объяснений, откуда у меня, студента, идут эти доходы. Про майнинг лучше не говорить его, вроде, считают за предпринимательскую деятельность. Ну и моё купи - продай тоже не останется в таком случае без внимания, хотя, думаю, можно будет доказать, что продаю своё.
Хаха, РАБотяжки каторжные. А я посижу часика четыре и спать пойду.
константин, ты?
Если зепеха норм, то ок. А если зарплата такая, что её хватает только на содержание себя?
Как узнал?
Аноны, накопите чуть деньжат и откройте свою, внимание, шаурму. Главное найти ахуенного повара, который умеет в соусы, а так же в общение. Во первых это не дорого, во вторых стабильные 50-80к в месяц.
По твоим шизоидным высерам
да этих шаурм хоть жепой ешь по всему городу наплодились
Выпиливаться тогда
да пошел он нахуй этот константин
Это пиздец, мне знакомый рассказывал, что когда ему на карту упали 100к в тот же день к нему опера залетели домой за объяснениями, с тех пор карточкой не пользуется.
Тоже читал о таком, поэтому деньгм вывожу редко, мелкими суммами. Я думаю, может они каких нибудь кладменов или наркобарыг так пытаются выявить?
Лёг в 22. Проснулся в 1.40 от приступа тревоги. Снова не мог уснуть, мысли о бессмысленности такой жизни, вечном рабстве, старости, смерти, болезнях. Пролежал так часа полтора, потом успокоился и уснул. Естественно не выспался.
Я только к концу каникул начал снова ощущать жизнь, забывать о рабстве, снова появился интерес к чему-то. А теперь на нахуй - снова иди на РАБоту, пидор.
Я только к концу каникул начал снова ощущать жизнь, забывать о рабстве, снова появился интерес к чему-то. А теперь на нахуй - снова иди на РАБоту, пидор.
Все так
Да не, слишком мелко для такого переполоха, думаю за терроризм так бесятся. У нас ведь сейчас обестрены с изис.
Мб ты режим сбил или тревожит что то
Казань?
Наверное. В праздники я ложился в 12- час, и вставал в 11-12 дня
вКОТился.
Тоже самое, анон.
голова чугунная пиздос
Работа — это проклятье
Но я упёртый финно-угр и если надо — буду грызть гранит, отдыхать после работы я тоже умею и работаю ради того чтобы отдых приблизить к воспоминаниям о Рае, а не просто аскетично протухать на мамкиной шее
Но я упёртый финно-угр и если надо — буду грызть гранит, отдыхать после работы я тоже умею и работаю ради того чтобы отдых приблизить к воспоминаниям о Рае, а не просто аскетично протухать на мамкиной шее
Именно так.
Нет. Именно барыг так выявляют.
Нет, 180км от ДС.
> финно-угр
Финно-угорского почтения тебе.
Снега наволило
в треде
Лампово у тебя.
Это где?
На что тунеядствуешь?
на мамкину пенсию
В моем мухосранске +4
20-25 лвл - Каждый рабочий день по 8-12 часов ощущается, как ебучая вечность.
25+ лвл - Даже 15 часов летит мимолетно. Вроде только недавно к 10 утра пришел. А тут бац, опа, уже 2 часа до конца смены.
И с каждым годом эти часы ощущаются все меньше и меньше.
У кого сейм?
25+ лвл - Даже 15 часов летит мимолетно. Вроде только недавно к 10 утра пришел. А тут бац, опа, уже 2 часа до конца смены.
И с каждым годом эти часы ощущаются все меньше и меньше.
У кого сейм?
Мамкиной обузой.
Тут главное чтобы мамка до твоей пенсии дожила.
У меня уже в 20 лет 8(9) часов пролетает мимолетно и не только на РАБоте
Красногорск
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Сопричастность команде и общему делу, корпоративный дух и высокая ПРОАКТИВНОСТЬ.
эйчары, вы меня живым не возьмёте, я знаю все ответы на ваши загадки
Иногда, когда на парах сижу, или делаю какую нибудь взваленную на меня хуйню - время тянется долго.
В ноябре загнал машину на яму к знакомому автомеханику, сам полез её чинить и проводить ТО. 5 часов пролетели довольно незаметно.
Торжественно вмискузился.
Работаю 5 смену в этом году, предвкушаю повышенный коэффициент за праздники.
Работаю 5 смену в этом году, предвкушаю повышенный коэффициент за праздники.
Заставил погуглить.
Что это у вас там йоба-боба в виде пускового трамплина для шатлов?
Алсо, вижу водоем. Там летом то можно купаться?
Ух, бля. Я думал, что эти праздники будут длиться вечно, но вот они подошли к концу. Опять жрать из контейнера, недосыпать и трястись в маршрутке. Я уже человеком себя успел почувствовать. Нервяк ослаб, сердце в норму пришло, настроение улучшилось, а теперь всё опять по новой. Эх. А ведь хорошо было. Спал часов по 10 каждый день, жрал от пуза, аниме смотрел. Ещё и в субботу работать, сука. В этом году хочу справиться со своим нервяком.
>В этом году хочу справиться со своим нервяком.
После 3 месяцев приема помогло. Полет нормальный. Брат жив.
Блять, рабочий день только начался, а в кабинете уже балаган. Сюда все ходят ебучий кофе пить. У всех свои кабинеты есть, а они сюда ходят. Чайник шумит, шкафчики гремят, чашки звенят, пиздёжь непрекращающийся.
У меня что-то в задней части головы болит. Что это может быть?
Я пока 5htp попробую.
Нихуя не мотивирует, хочу сдохнуть, чуть не плачу. Хоть 1/3 работаю. Не представляю, как можно пятидневку выдерживать. Ну хотя если бы работа норм была, мб и не так страшно бло бы.
Все пропуканы?
4 посторонних человека в кабинете, сука
Наебни чайник.
соси
А мне нравится моя работа в киоске. Сидишь, продаешь и нет-нет, да какую-то шабашку имеешь - то сдачу забудут, то просто оставят. А пока покупателей нет лампово смотрю всякое и играю в игори - ноут на работе поживее домашнего, моего. Ночью, правда, не всегда поспать успеваю, но, может, переведут в другой киоск, а там то уж с 12 до 7 вообще никого и можно позволить себе спать и ни о чём не думать.
Потихому начинаю жалеть, что бросил работу в общепите.
Ибо хоть я реально уставал после рабочей смены. Но было приятно возвращаться домой уставшим и полным чувства того, что ты заслужил этот отдых.
Сейчас уже полгода работаю продажником в офисе. Просто до одури скучно. Из-за этого депрессую походу.
Раньше из-за работы вообще не было времени на самокопание.
А тут на тебе, начал задумывать, мол тни нету, своей хаты нету, друзей настоящих нет, и вообще 28 лет, и сам не знаю чего я хочу от жизни... А чтоб заглушить чувство вины перед собой, напиваюсь перед сном.
Как с этим бороться? Или тут реально надо искать активную работу насыщенная активными действиями?
Ибо хоть я реально уставал после рабочей смены. Но было приятно возвращаться домой уставшим и полным чувства того, что ты заслужил этот отдых.
Сейчас уже полгода работаю продажником в офисе. Просто до одури скучно. Из-за этого депрессую походу.
Раньше из-за работы вообще не было времени на самокопание.
А тут на тебе, начал задумывать, мол тни нету, своей хаты нету, друзей настоящих нет, и вообще 28 лет, и сам не знаю чего я хочу от жизни... А чтоб заглушить чувство вины перед собой, напиваюсь перед сном.
Как с этим бороться? Или тут реально надо искать активную работу насыщенная активными действиями?
Капельницы ставили, от менингита
Помогли (вроде как)
Сегодня узнаем
Просто не думай о работе. Живи чем-нибудь другим.
Ты это я, только я логист.
Тня бросила, друзья всё переженились, один уже дитё заделать своей успел, все сидят по своим каморкам и в общество перестали выходить.
Сижу один на съёмной хате, катаю в кораблики и постигаю дзен.
Нынче у баб запросы пиздец космические, ну или может просто мне такие попадаются.
>мотивирует
Надежда на финансовую не зависимость максимум через 10 лет
> не зависимость
пит буль
Надо чтоб было 2 месяца отпуска, месяца мало.
Человек всегда будет зависеть от денег
Жиза. Я под конец начал книжечки почитывать, желание что-то учить появилось.
Нездоровая тема. А потом ХУЯК - и тебе 45 лет, единственная запись в трудовой, до пенсии ещё хуярить и хуярить, а ты особо нихуя и не умеешь. Да и не жил толком, а лишь въебывал всю жизнь.
Всем работягам привет!
Возможность зарабатывать хотя бы немного, и более менее не париться о мелочах тип сходить куда то, покушать, одежды себе купить какой никакой, а то бы гнил на парах бездумно и за играми
Кем роботаиш? Сколько плотят?
сколько за жильё отдаешь и на каком стеке работаешь?
>Смотрю обзоры офисов на ютубе
ебанутый
20 тыщ, погромист.
пиздос, как же хочется тяночку
Немразь.
ПИЗДОСИК, МИЛЕНЬКИЙ, ДАЙ МНЕ СИЛ!
Опять весь кишлак в ДС вернулся.
Хули так мало? На q-basic программируешь что ли?
А я сегодня не спал всю ночь и блеванул прям в метро от недосыпа.
1
пиздец я долбоеб.
Вот тебе и результат чтения на английском вместо русского на постоянке
Все не так просто
чтобы зарабатывать на путешествия
Хули у меня полдмышки потеют?
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Через 19 лет стану рнн
Покидайте сиськи в тред!
Ваня из мака?
жиза то какая с самого утра, пиздос
Стажёр мб, либо слабый джун
мимо стажёр программист 15к
Пиздос хоспаде, опять на службу, конфузъ, собираемся в 9:00 в конференц-зале с минералочкой.
Еще нет, 13-го числа все вернутся из пердей.
Еле проснулся, не просрал, за праздники скопилось дохуя работы, сижу разгребаю. Пизда хочу спать и дрочить.
НЕТ!
Жижа
кофе
Первый рабочий день с начала года. ПИЗДОС.
что жижа?
Планерка.
1. Докладывайте, что как и где.
1. Докладывайте, что как и где.
Привет, пиздосики. Как вы тут? Живы небось? Не унывайте, сегодня уже четверг.
Охуел?
Ты в праздники трезвел?
А что ты сразу ругаешься? Я может питб бросил пшеничное и перешел на крепкий алкоголь.
Пиздос, спал всего 2 часа, ибо на праздниках ложился в 3 утра, а сегодня надо было уже в 4 утра вставать на завод. Опять это завод
Блядб бамп пиздосы вы что охуели
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
В основном наличие еды.
блядь, нахуй я в 5 утра лёг, теперь даже читать больно
Жопа
ВНОВЬ НА СЛУЖБУ КОНФУЗ
Йеп, тоже самое
главное, чтобы до конца месяца не пидорнул новый директор - забрать бабло, а потом можно и пидорнуться на постой
Я последний раз пил 1-го, лучше б не пил вообще. Заебало бухать, буду алкопост двухмесячный держать.
Что за глупые вопросы?
Чет бурлит живот пиздос и клапан жаром пылает от газов, зря я вчера брусничную деревеньку употреблял.
Рад видеть!
Как праздники прошли?
>
Разве конфуз синоним пиздоса?
>Заебало бухать, буду алкопост двухмесячный держать.
@
ой, чёт жигули на акции в кб
Звучит пиздато. Сколько плотют, если не секрет? На жисть хватает?
Сдохнет да и хуй с ней.
Заняться нечем пиздос.
С наступившим всех.
В этом новом году я пообещал себе, что буду меньше врать
Поэтому признаюсь и попрошу прощения хотя лично мне было забавно за свои истории, а именно:
-Крыса-кун, которому мешали обедать в столовой
-Обжора 164/132, где я перечислял то, что якобы брал в столовой/бк/с собой и т.д. про соотношение роста и веса-правда
-Стори, где я ел волосы коллеги по работе не помню правда где я ее писал
-Гайд боевого гнома отчасти правда, так как я всегда сразу заливаю перцем, если пахнет жареным
-История про то, как познакомиться с коллегой отчасти тоже правда, но я все таки не решился в итоге даже заговорить с ней, так как знал правду, что я нахуй кому либо не всрался
-Стори, где надо мной издевается начальник, про новогодние корпоративы и унижения, и я планировал,якобы, уволиться в нг
Приношу извинения, больше постараюсь такой хуйней в треде не заниматься, да и времени будет не так уж и много, меня повысили, работы стало чуть больше и ответственности тоже прибавилось.
Вроде все, так много всякой хуйни сочинял, что уже и не упомнишь все.
Алкогольный угар и все дела, выползал из дома только чтобы пополнить запасы пенного и табака.
нахуй ты полез дебил блять ебаный теперь она тебя жрет нахуй
Так это тебе советы пилили, как к буху яйца подкатить?
Я, как ни странно, очень даже трезво провел каникулы. В легком ежедневном опьянении.
>от приступа тревоги
поможет лирика или алпразолам. А если добавишь к коктейлю щепотку трамадола — будешь королём вечеринок и любимчиком бухш и прочих милф и не только.
Не пизди, хуесос, первый был третьего или четвёртого числа от другого анона. Пора бы тебя забанить, аватароблядок - слишком много придаёшь значения себе и своему личному треду. Алсо, сажи.
Предложите ваш вариантъ, сударь
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Ничего не мотивирует. Другого выбора нет. РНН господином стать не могу, так как нет возможности получать пассивный доход.
>ОПЯТЬ НА РАБОТУ ПИЗДОС
9 дней хоть пожил. Сейчас 2 дня поРАБотаю или 3, если пидорасы опять какую-то хуйню придумают и опять можно пожить.
А вообще это пиздец. Около 70% времени уходит на работу. Для меня уже сложилось понятие, что мне платят не за то что я делаю на дноработе, а за то что я не делаю дома (задротство в игры и просмотр видосов).
мимо говно-сис-админ 21 лвл
Ладно, мы похоже тут вдвоем с тобой.
Провел со своей укулеле все новогодние праздники, то гуляли, то ебались, раскупорил все отверстия, мать перестала бухтетб, сказала что лучше так чем быть пидором.
Зп прибавили на 2700, ухбля, сижу в кабинете народу нихуя, все будут после 13-го.
В КБ давно не ходил, после того, как знакомый из хайнекена сказал, что у них на заводах стоит отдельная линия для КБ, худшего качества, т.к. КБ гнёт поставщиков на цену жёстко.
Полностью двачую. Однако когда представляю как доношу эту политику мамке, понимаю что у неё такой батхёрт будет, что вся комната в мейнструальной крови будет.
А я тебе говорил что КБ говно? Говорил? Говорил.
Я тебе говорил что там ссанина ебаная? Говорил? Говорил.
ебать ты хуесос ебучий. тебе в больничку надо мудила ебучая.
мимо БЫДЛО
>заебался уже хикковать
>ламповый опенспейс
>ОПЕНСПЕЙС
>ЛАМПОВЫЙ
Сука, социоблядь нарисовалась!
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
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James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
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Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
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James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
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Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
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James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
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Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
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Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
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Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
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Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
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Camera Reviews
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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Camera Reviews
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
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Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
45 с коммуналкой. Но это пополам с женой. Python, SQL, Tableau
Старички тебя сразу раскусили. История про дрочку в офисе на камеру тоже твоя работа?
Пропил/проел всего около 5к, что не помешало мне не трезветь, мотор сцуко дешевый и эффективный. Просыпался под вечер, шел за бухлом и сидел до утра.
К себе в кишлак не поехала чтоль?
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
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35mm
Camera
Canon
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35mm Film
Camera Reviews
Canon
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
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6.3. Арест имущества должника. Понятие и основания
Понятие ареста имущества должника в настоящее время содержится и раскрывается в одном нормативном акте - в Федеральном законе "Об исполнительном производстве". Статья 370 ГПК РСФСР (в старой редакции) определяла арест как опись имущества и объявление запрета распоряжения им.
Развивает и конкретизирует данную норму ч. 4 ст. 80 Федерального закона "Об исполнительном производстве", которая определяет арест имущества через составляющие элементы ареста - запрет распоряжаться имуществом, а при необходимости - ограничение права пользования имуществом или изъятие имущества. Следовательно, арест имущества должника состоит из совокупности следующих процессуальных действий судебного пристава-исполнителя: 1) описи имущества должника; 2) объявления запрета распоряжаться имуществом; 3) ограничения права пользования имуществом; 4) изъятия имущества или передачи его на хранение. Арест - мера исключительная, связанная с существенным ограничением прав должника, поэтому он может применяться только при наличии следующих оснований: - наличие в производстве судебного пристава-исполнителя вступившего в законную силу исполнительного документа, по которому возбуждено исполнительное производство; - неисполнение должником в добровольном порядке требований исполнительного документа в срок, установленный судебным приставом-исполнителем; - наличие у судебного пристава-исполнителя заявления взыскателя о наложении ареста на имущество должника одновременно с возбуждением исполнительного производства. Согласно ч. 3 ст. 80 Федерального закона "Об исполнительном производстве" арест применяется: - для обеспечения сохранности имущества, которое подлежит передаче взыскателю или реализации; - при исполнении судебного акта о конфискации имущества; - при исполнении судебного акта о наложении ареста на имущество, принадлежащее должнику и находящееся у него или у третьих лиц. Данный перечень оснований является исчерпывающим. В любых других случаях применение ареста как меры принудительного исполнения недопустимо. В целях защиты интересов граждан-должников и обеспечения им минимальных социальных гарантий ст. 79 Федерального закона "Об исполнительном производстве" установлено, что в рамках исполнительного производства не может быть обращено взыскание, а следовательно, и наложен арест на принадлежащее должнику-гражданину на праве собственности имущество, указанное в Перечне видов имущества граждан, на которое не может быть обращено взыскание по исполнительным документам, перечисленное в ст. 446 ГПК РФ. Перечень имущества должника-организации, на которое не может быть обращено взыскание, устанавливается федеральным законом. По правовой природе арест является очным и разовым действием. Заочный арест несостоятелен и ничтожен, поскольку ч. 5 ст. 80 Федерального закона "Об исполнительном производстве" четко определяет арест как опись имущества.
Яндекс.Директ
Анализ состава материала
Опись предполагает описание видимого, наблюдаемого объекта. Поэтому описи может быть подвергнуто только то имущество, которое непосредственно наблюдается судебным приставом-исполнителем. Арест имущества, наличие которого подтверждается различного рода справками, отражением в балансе и иными документами, без непосредственного наблюдения данного объекта судебным приставом-исполнителем недопустим. В этой связи следует обратить внимание на существующую порочную практику, когда судебный пристав-исполнитель, получив из органов регистрации прав на недвижимое имущество или из органов ГИБДД справку о наличии в собственности должника соответствующего имущества (недвижимости или автотранспорта), выносит постановление о наложении ареста на это имущество и направляет его для исполнения в соответствующий орган. Указанные постановления этими органами зачастую принимаются и исполняются. Подобная практика, конечно же, недопустима. Цель, преследуемая судебным приставом-исполнителем в данном случае, - не допустить отчуждения принадлежащего должнику имущества - вполне понятна, но плохо достигаема, ибо ничто не препятствует должнику продать, к примеру, автомобиль, несмотря на то что в органах ГИБДД имеется постановление судебного пристава-исполнителя о наложении на него ареста. Органы ГИБДД производят не регистрацию права собственности, а регистрацию и учет транспортных средств и их владельцев. Поэтому, если должник продаст свой автомобиль и лицо, его купившее, придет для постановки на регистрационный учет в органы ГИБДД, то органы ГИБДД обязаны произвести регистрацию нового владельца, поскольку арест, наложенный постановлением судебного пристава-исполнителя, ничтожен. Если органы ГИБДД откажут новому владельцу в постановке на регистрационный учет, то он сможет принудить их произвести регистрацию через обращение в суд. Примерно аналогичная ситуация и с недвижимым имуществом должника. Избежать этого возможно двумя способами. Во-первых, надлежащим процессуальным оформлением ареста имущества в виде составления соответствующего акта и направления его в соответствующий регистрирующий орган, у которого возникнет соответствующее законное основание не регистрировать сделки по отчуждению имущества должника. Однако здесь возникает другая проблема. Составить акт описи и ареста недвижимого имущества несложно, поскольку оно статично и неперемещаемо. В отношении же транспортных средств ситуация несколько иная. В силу мобильности транспортных средств обнаружить их и подвергнуть описи достаточно сложно. Должник, зная, что есть решение суда и над ним висит угроза описи имущества, как правило, предпримет все меры к его сокрытию. Процедура же розыска может затянуться надолго, поэтому в данном случае возможно заключение между Службой судебных приставов и органов ГИБДД соглашения о сотрудничестве в рамках реализации положений Федерального закона "Об исполнительном производстве". Такое сотрудничество может выражаться, например, в задержании разыскиваемых судебным приставом-исполнителем автомобилей органами ГИБДД, информировании судебных приставов-исполнителей о поступивших заявлениях о снятии с регистрационного учета разыскиваемых транспортных средств и др. Как уже отмечалось, арест - это способ обращения взыскателя на имущество должника. В соответствии с ч. 2 ст. 69 Федерального закона "Об исполнительном производстве" - взыскание на имущество должника, в том числе на денежные средства в рублях и иностранной валюте, обращается в размере задолженности, т.е. в размере, необходимом для исполнения требований, содержащихся в исполнительном документе, с учетом взыскания расходов по совершению и
Документальное оформление процедуры описи и ареста имущества.
6.1. Меры по обеспечению иска (наложения ареста на имущество и пр.)
Вопрос 3. Хранение арестованного имущества должника
Иск Еще по теме 6.3. Арест имущества должника. Понятие и основания:
Вопрос 2. Выявление имущества должника. Арест имущества и его оценка
6.3.6. Наложение ареста на имущество должника
7.2. Особенности наложения ареста на имущество должника-организации
Арест имущества
6.3.5. Розыск должника, имущества должника или розыск ребенка
Документальное оформление процедуры описи и ареста имущества.
6.1. Меры по обеспечению иска (наложения ареста на имущество и пр.)
Вопрос 3. Хранение арестованного имущества должника
Иск об освобождении имущества от ареста или исключении его из описи
§12.2 Иск об освобождении имущества от наложения ареста (исключении его из описи)
РАСПОРЯЖЕНИЕ ИМУЩЕСТВОМ ДОЛЖНИКА\tш
Несоблюдение порядка владения, пользования и (или) распоряжения имуществом, на которое наложен арест (ст. 125 НК РФ)
Лекция 6. ОБРАЩЕНИЕ ВЗЫСКАНИЯ НА ИМУЩЕСТВО ДОЛЖНИКА
6.4.3. Оценка имущества должника
6.2. Общие правила обращения взыскания на имущество должника
3. Специализированные организации, реализующие имущество должника
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
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6.3. Арест имущества должника. Понятие и основания
Понятие ареста имущества должника в настоящее время содержится и раскрывается в одном нормативном акте - в Федеральном законе "Об исполнительном производстве". Статья 370 ГПК РСФСР (в старой редакции) определяла арест как опись имущества и объявление запрета распоряжения им.
Развивает и конкретизирует данную норму ч. 4 ст. 80 Федерального закона "Об исполнительном производстве", которая определяет арест имущества через составляющие элементы ареста - запрет распоряжаться имуществом, а при необходимости - ограничение права пользования имуществом или изъятие имущества. Следовательно, арест имущества должника состоит из совокупности следующих процессуальных действий судебного пристава-исполнителя: 1) описи имущества должника; 2) объявления запрета распоряжаться имуществом; 3) ограничения права пользования имуществом; 4) изъятия имущества или передачи его на хранение. Арест - мера исключительная, связанная с существенным ограничением прав должника, поэтому он может применяться только при наличии следующих оснований: - наличие в производстве судебного пристава-исполнителя вступившего в законную силу исполнительного документа, по которому возбуждено исполнительное производство; - неисполнение должником в добровольном порядке требований исполнительного документа в срок, установленный судебным приставом-исполнителем; - наличие у судебного пристава-исполнителя заявления взыскателя о наложении ареста на имущество должника одновременно с возбуждением исполнительного производства. Согласно ч. 3 ст. 80 Федерального закона "Об исполнительном производстве" арест применяется: - для обеспечения сохранности имущества, которое подлежит передаче взыскателю или реализации; - при исполнении судебного акта о конфискации имущества; - при исполнении судебного акта о наложении ареста на имущество, принадлежащее должнику и находящееся у него или у третьих лиц. Данный перечень оснований является исчерпывающим. В любых других случаях применение ареста как меры принудительного исполнения недопустимо. В целях защиты интересов граждан-должников и обеспечения им минимальных социальных гарантий ст. 79 Федерального закона "Об исполнительном производстве" установлено, что в рамках исполнительного производства не может быть обращено взыскание, а следовательно, и наложен арест на принадлежащее должнику-гражданину на праве собственности имущество, указанное в Перечне видов имущества граждан, на которое не может быть обращено взыскание по исполнительным документам, перечисленное в ст. 446 ГПК РФ. Перечень имущества должника-организации, на которое не может быть обращено взыскание, устанавливается федеральным законом. По правовой природе арест является очным и разовым действием. Заочный арест несостоятелен и ничтожен, поскольку ч. 5 ст. 80 Федерального закона "Об исполнительном производстве" четко определяет арест как опись имущества.
Яндекс.Директ
Анализ состава материала
Опись предполагает описание видимого, наблюдаемого объекта. Поэтому описи может быть подвергнуто только то имущество, которое непосредственно наблюдается судебным приставом-исполнителем. Арест имущества, наличие которого подтверждается различного рода справками, отражением в балансе и иными документами, без непосредственного наблюдения данного объекта судебным приставом-исполнителем недопустим. В этой связи следует обратить внимание на существующую порочную практику, когда судебный пристав-исполнитель, получив из органов регистрации прав на недвижимое имущество или из органов ГИБДД справку о наличии в собственности должника соответствующего имущества (недвижимости или автотранспорта), выносит постановление о наложении ареста на это имущество и направляет его для исполнения в соответствующий орган. Указанные постановления этими органами зачастую принимаются и исполняются. Подобная практика, конечно же, недопустима. Цель, преследуемая судебным приставом-исполнителем в данном случае, - не допустить отчуждения принадлежащего должнику имущества - вполне понятна, но плохо достигаема, ибо ничто не препятствует должнику продать, к примеру, автомобиль, несмотря на то что в органах ГИБДД имеется постановление судебного пристава-исполнителя о наложении на него ареста. Органы ГИБДД производят не регистрацию права собственности, а регистрацию и учет транспортных средств и их владельцев. Поэтому, если должник продаст свой автомобиль и лицо, его купившее, придет для постановки на регистрационный учет в органы ГИБДД, то органы ГИБДД обязаны произвести регистрацию нового владельца, поскольку арест, наложенный постановлением судебного пристава-исполнителя, ничтожен. Если органы ГИБДД откажут новому владельцу в постановке на регистрационный учет, то он сможет принудить их произвести регистрацию через обращение в суд. Примерно аналогичная ситуация и с недвижимым имуществом должника. Избежать этого возможно двумя способами. Во-первых, надлежащим процессуальным оформлением ареста имущества в виде составления соответствующего акта и направления его в соответствующий регистрирующий орган, у которого возникнет соответствующее законное основание не регистрировать сделки по отчуждению имущества должника. Однако здесь возникает другая проблема. Составить акт описи и ареста недвижимого имущества несложно, поскольку оно статично и неперемещаемо. В отношении же транспортных средств ситуация несколько иная. В силу мобильности транспортных средств обнаружить их и подвергнуть описи достаточно сложно. Должник, зная, что есть решение суда и над ним висит угроза описи имущества, как правило, предпримет все меры к его сокрытию. Процедура же розыска может затянуться надолго, поэтому в данном случае возможно заключение между Службой судебных приставов и органов ГИБДД соглашения о сотрудничестве в рамках реализации положений Федерального закона "Об исполнительном производстве". Такое сотрудничество может выражаться, например, в задержании разыскиваемых судебным приставом-исполнителем автомобилей органами ГИБДД, информировании судебных приставов-исполнителей о поступивших заявлениях о снятии с регистрационного учета разыскиваемых транспортных средств и др. Как уже отмечалось, арест - это способ обращения взыскателя на имущество должника. В соответствии с ч. 2 ст. 69 Федерального закона "Об исполнительном производстве" - взыскание на имущество должника, в том числе на денежные средства в рублях и иностранной валюте, обращается в размере задолженности, т.е. в размере, необходимом для исполнения требований, содержащихся в исполнительном документе, с учетом взыскания расходов по совершению и
Документальное оформление процедуры описи и ареста имущества.
6.1. Меры по обеспечению иска (наложения ареста на имущество и пр.)
Вопрос 3. Хранение арестованного имущества должника
Иск Еще по теме 6.3. Арест имущества должника. Понятие и основания:
Вопрос 2. Выявление имущества должника. Арест имущества и его оценка
6.3.6. Наложение ареста на имущество должника
7.2. Особенности наложения ареста на имущество должника-организации
Арест имущества
6.3.5. Розыск должника, имущества должника или розыск ребенка
Документальное оформление процедуры описи и ареста имущества.
6.1. Меры по обеспечению иска (наложения ареста на имущество и пр.)
Вопрос 3. Хранение арестованного имущества должника
Иск об освобождении имущества от ареста или исключении его из описи
§12.2 Иск об освобождении имущества от наложения ареста (исключении его из описи)
РАСПОРЯЖЕНИЕ ИМУЩЕСТВОМ ДОЛЖНИКА\tш
Несоблюдение порядка владения, пользования и (или) распоряжения имуществом, на которое наложен арест (ст. 125 НК РФ)
Лекция 6. ОБРАЩЕНИЕ ВЗЫСКАНИЯ НА ИМУЩЕСТВО ДОЛЖНИКА
6.4.3. Оценка имущества должника
6.2. Общие правила обращения взыскания на имущество должника
3. Специализированные организации, реализующие имущество должника
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
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JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
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James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
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Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
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James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
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Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
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James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
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mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
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James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
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Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
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James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
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Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
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yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
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Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
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Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
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Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
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Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Уж с год туда не хожу. И где твой Б-дда т-перь?
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6.3. Арест имущества должника. Понятие и основания
Понятие ареста имущества должника в настоящее время содержится и раскрывается в одном нормативном акте - в Федеральном законе "Об исполнительном производстве". Статья 370 ГПК РСФСР (в старой редакции) определяла арест как опись имущества и объявление запрета распоряжения им.
Развивает и конкретизирует данную норму ч. 4 ст. 80 Федерального закона "Об исполнительном производстве", которая определяет арест имущества через составляющие элементы ареста - запрет распоряжаться имуществом, а при необходимости - ограничение права пользования имуществом или изъятие имущества. Следовательно, арест имущества должника состоит из совокупности следующих процессуальных действий судебного пристава-исполнителя: 1) описи имущества должника; 2) объявления запрета распоряжаться имуществом; 3) ограничения права пользования имуществом; 4) изъятия имущества или передачи его на хранение. Арест - мера исключительная, связанная с существенным ограничением прав должника, поэтому он может применяться только при наличии следующих оснований: - наличие в производстве судебного пристава-исполнителя вступившего в законную силу исполнительного документа, по которому возбуждено исполнительное производство; - неисполнение должником в добровольном порядке требований исполнительного документа в срок, установленный судебным приставом-исполнителем; - наличие у судебного пристава-исполнителя заявления взыскателя о наложении ареста на имущество должника одновременно с возбуждением исполнительного производства. Согласно ч. 3 ст. 80 Федерального закона "Об исполнительном производстве" арест применяется: - для обеспечения сохранности имущества, которое подлежит передаче взыскателю или реализации; - при исполнении судебного акта о конфискации имущества; - при исполнении судебного акта о наложении ареста на имущество, принадлежащее должнику и находящееся у него или у третьих лиц. Данный перечень оснований является исчерпывающим. В любых других случаях применение ареста как меры принудительного исполнения недопустимо. В целях защиты интересов граждан-должников и обеспечения им минимальных социальных гарантий ст. 79 Федерального закона "Об исполнительном производстве" установлено, что в рамках исполнительного производства не может быть обращено взыскание, а следовательно, и наложен арест на принадлежащее должнику-гражданину на праве собственности имущество, указанное в Перечне видов имущества граждан, на которое не может быть обращено взыскание по исполнительным документам, перечисленное в ст. 446 ГПК РФ. Перечень имущества должника-организации, на которое не может быть обращено взыскание, устанавливается федеральным законом. По правовой природе арест является очным и разовым действием. Заочный арест несостоятелен и ничтожен, поскольку ч. 5 ст. 80 Федерального закона "Об исполнительном производстве" четко определяет арест как опись имущества.
Яндекс.Директ
Анализ состава материала
Опись предполагает описание видимого, наблюдаемого объекта. Поэтому описи может быть подвергнуто только то имущество, которое непосредственно наблюдается судебным приставом-исполнителем. Арест имущества, наличие которого подтверждается различного рода справками, отражением в балансе и иными документами, без непосредственного наблюдения данного объекта судебным приставом-исполнителем недопустим. В этой связи следует обратить внимание на существующую порочную практику, когда судебный пристав-исполнитель, получив из органов регистрации прав на недвижимое имущество или из органов ГИБДД справку о наличии в собственности должника соответствующего имущества (недвижимости или автотранспорта), выносит постановление о наложении ареста на это имущество и направляет его для исполнения в соответствующий орган. Указанные постановления этими органами зачастую принимаются и исполняются. Подобная практика, конечно же, недопустима. Цель, преследуемая судебным приставом-исполнителем в данном случае, - не допустить отчуждения принадлежащего должнику имущества - вполне понятна, но плохо достигаема, ибо ничто не препятствует должнику продать, к примеру, автомобиль, несмотря на то что в органах ГИБДД имеется постановление судебного пристава-исполнителя о наложении на него ареста. Органы ГИБДД производят не регистрацию права собственности, а регистрацию и учет транспортных средств и их владельцев. Поэтому, если должник продаст свой автомобиль и лицо, его купившее, придет для постановки на регистрационный учет в органы ГИБДД, то органы ГИБДД обязаны произвести регистрацию нового владельца, поскольку арест, наложенный постановлением судебного пристава-исполнителя, ничтожен. Если органы ГИБДД откажут новому владельцу в постановке на регистрационный учет, то он сможет принудить их произвести регистрацию через обращение в суд. Примерно аналогичная ситуация и с недвижимым имуществом должника. Избежать этого возможно двумя способами. Во-первых, надлежащим процессуальным оформлением ареста имущества в виде составления соответствующего акта и направления его в соответствующий регистрирующий орган, у которого возникнет соответствующее законное основание не регистрировать сделки по отчуждению имущества должника. Однако здесь возникает другая проблема. Составить акт описи и ареста недвижимого имущества несложно, поскольку оно статично и неперемещаемо. В отношении же транспортных средств ситуация несколько иная. В силу мобильности транспортных средств обнаружить их и подвергнуть описи достаточно сложно. Должник, зная, что есть решение суда и над ним висит угроза описи имущества, как правило, предпримет все меры к его сокрытию. Процедура же розыска может затянуться надолго, поэтому в данном случае возможно заключение между Службой судебных приставов и органов ГИБДД соглашения о сотрудничестве в рамках реализации положений Федерального закона "Об исполнительном производстве". Такое сотрудничество может выражаться, например, в задержании разыскиваемых судебным приставом-исполнителем автомобилей органами ГИБДД, информировании судебных приставов-исполнителей о поступивших заявлениях о снятии с регистрационного учета разыскиваемых транспортных средств и др. Как уже отмечалось, арест - это способ обращения взыскателя на имущество должника. В соответствии с ч. 2 ст. 69 Федерального закона "Об исполнительном производстве" - взыскание на имущество должника, в том числе на денежные средства в рублях и иностранной валюте, обращается в размере задолженности, т.е. в размере, необходимом для исполнения требований, содержащихся в исполнительном документе, с учетом взыскания расходов по совершению и
Документальное оформление процедуры описи и ареста имущества.
6.1. Меры по обеспечению иска (наложения ареста на имущество и пр.)
Вопрос 3. Хранение арестованного имущества должника
Иск Еще по теме 6.3. Арест имущества должника. Понятие и основания:
Вопрос 2. Выявление имущества должника. Арест имущества и его оценка
6.3.6. Наложение ареста на имущество должника
7.2. Особенности наложения ареста на имущество должника-организации
Арест имущества
6.3.5. Розыск должника, имущества должника или розыск ребенка
Документальное оформление процедуры описи и ареста имущества.
6.1. Меры по обеспечению иска (наложения ареста на имущество и пр.)
Вопрос 3. Хранение арестованного имущества должника
Иск об освобождении имущества от ареста или исключении его из описи
§12.2 Иск об освобождении имущества от наложения ареста (исключении его из описи)
РАСПОРЯЖЕНИЕ ИМУЩЕСТВОМ ДОЛЖНИКА\tш
Несоблюдение порядка владения, пользования и (или) распоряжения имуществом, на которое наложен арест (ст. 125 НК РФ)
Лекция 6. ОБРАЩЕНИЕ ВЗЫСКАНИЯ НА ИМУЩЕСТВО ДОЛЖНИКА
6.4.3. Оценка имущества должника
6.2. Общие правила обращения взыскания на имущество должника
3. Специализированные организации, реализующие имущество должника
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
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Canon
Film
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T50
35mm Film
Camera Reviews
Canon
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
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Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
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Canon
Film
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35mm Film
Camera Reviews
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Типичная жизнь нормобляди. Жена, ребенок, квартира, тачка. Эх блядь, лет 5 назад я смеялся над такими как я, а теперь вот оно как.
Ну правда работа не пыльная, айтимразь за 200+.
Мимо 31лвл
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
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Canon
Film
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Camera Reviews
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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Canon
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Camera Reviews
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Она накануне праздников разругалась с родителями что АЙ КЕЛЕМЫШ НЕ ПОЕДУ ЖАСАСЫН АЙГЕРЫН ЕРМИЖАН ДЭ ЧЕКЕМЫШДЭ БУГУЛЯМА В ЖОПУ, те ей пригрозили что приедут и насильно заберут к себе, а отец сказал ну и хуй с тобой живи там и к нам не езди, а я ей сказал ну проведем нг вместе, сука как бы не съехатбся.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
Camera
Canon
Film
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T50
35mm Film
Camera Reviews
Canon
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15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
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35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Пиздежь. Тот же хуйнукен, владелец бренда, нагнул бы завод за такую хуйню.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
Reply
James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
Reply
Avatar\t
Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
Reply
James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
Reply
Avatar\t
Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
Reply
James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
Reply
Avatar\t
mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
Reply
James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
Reply
Avatar\t
Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
Reply
James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
Reply
Avatar\t
Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
Reply
Avatar\t
yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
Reply
Avatar\t
Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
Reply
Avatar\t
Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
Reply
Avatar\t
Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
Reply
Leave A Reply
Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
When looking at the blank slate that makes up the top of the T50 one is immediately underwhelmed. There are nowhere near the amount of knobs, dials, and switches that photophiles expect. Beyond the shutter button and ASA dial there exists only one other dial. This sad, little knob changes the mode from Program to Self-Timer, and rotates for a Battery Check. Most conspicuously absent is any kind of shutter speed selector. That’s because the T50 has an entirely automated shutter. Because of this, it would be easy to cast the machine aside as an excessively simplified and handicapped tool; a toy camera for amateurs.
Canon T50 Top
Of course Canon did develop this machine for amateurs, but they also developed it to be a real SLR. This is most evidenced by Canon’s decision to equip the camera with their ubiquitous FD mount, allowing the use of their full range of SLR lenses. The FD range is fairly massive and can stand against any other brand’s contemporary lens range. Couple the T50 with Canon’s rather wonderful FD 35-105mm F/3.5 and you’ve got a completely capable manual focus zoom camera. For standard lens sizes the 50mm F/1.8 is perfection, producing extremely sharp images and great bokeh (when the T50 allows it). Color rendition is also fairly incredible with the 50mm F/1.8.
Important also is the fact that each FD lens offers fully manual aperture control. This means that mounting an FD lens on a T50 gives the photographer some control over depth of field, one of the most important aspects of artistic photography. The caveat with using FD lenses in this way on the T50 is that whenever the lens is set to a manual aperture (not “A” mode), the T50 locks the shutter speed at 1/60th of a second. So while some artistic control is returned to the shooter, the T50 is in no way a fully manual camera. Think of it as a point and shoot of any focal length with impeccable image quality.
Even with this limitation on creative control, the T50 is a pretty fun camera to use. It create a kind of freedom that’s difficult to find with the more “serious” machines, allowing the photographer to focus less on the science of exposure and more on producing the desired artistic effect through framing and composition. Additionally it’s possible to change your exposures a bit and compensate for the locked shutter speed. To trick the T50 into over- or under-exposing your shot, simply estimate available light and raise or lower the ISO (ASA) value.
Canon T50 TTV
Through the viewfinder (TTV) of the Canon T50.
The viewfinder, admittedly lacking in useful information, is amazingly bright and massive. The microprism and split-image rangefinder focus assist makes using the manual focus only FD lenses an incredibly simple task. To the right of the image window there’s an LED display showing “P” or “M” mode. “M” denotes that the aperture ring on the lens has been set to any other aperture outside of “A”, for automatic. Beyond this, the only information is that when the light meter has set a shutter speed slow enough to produce image shake, the “P” blinks slowly. When the light parameters have been judged to exceed the capabilities of the camera (too much or too little light for proper exposure) the “P” flashes rapidly and the shutter will not release.
When considering everything about the T50, it’d be natural to think it’s a stinker. With its combination of bland to ugly looks, the arguably handicapped performance, and the totally sparse viewfinder, there doesn’t seem to be a bright-side. But oddly enough, the T50 is a remarkably fun camera. It’s solidly built, and when paired with FD lenses it’s capable of producing outstanding images. The rather cumbersome design actually lends itself very well to shooting, with the camera staying perfectly balanced on a strap or in the hand. The bulbous hand-grip does its job better than countless more attractive machines, and the oddly angular texturing on the back facilitates perfect one-handed operation.
One-handed Canon T50
With the T50, the moment of zen occurs when the photographer accepts the camera’s limits and embraces the vision that its designers intended. With the lens set to “A” the camera slips into Program mode, and every single shot will be technically perfect. The shooter doesn’t have to think about anything beyond composition, framing, and perspective. This provides a remarkable sense of freedom, and if the T50 had been invented in the 1950’s it would be regarded today as the most important camera of all time. As it was released in the 80’s, it’s mostly regarded as an irrelevant and obsolete machine.
But this may be the wrong perspective. Yes, the T50 limits the shooter, but don’t limiting forces have a way of bringing out the very best in an artist? These limits allow the shooter to concentrate on the heart of the image being created, while letting the T50 do the math. In the right hands there’s no reason the T50 can’t create jaw-dropping images.
The ultimate test of any camera is whether or not its fun to shoot. In this regard, something about the T50 just works. Whether its the clanking shutter coupled with the abrupt and eager winding motor, the charmingly ugly looks, or the rather excellent lens choices, something about the T50 makes one want to keep shooting. Couple this intangible thrill with the fact that a pristine example of this 1980’s high-tech wizardry can be purchased today for somewhere around $20 and the T50 becomes even more of a winner. For that kind of money it’s worth adding another quirky gem of a camera to the collection, and getting some excellent photos out of the deal isn’t half bad either.
Want your own Canon T50?
Buy it on eBay
Buy it on Amazon
Buy it on B&H Photo
Buy it from me at F Stop Cameras
Buy FD lenses on eBay
Buy FD lenses on Amazon
Casual Photophile is on Ello, Facebook, Instagram, and Youtube
Share this post!
Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on Reddit (Opens in new window)1Click to share on Pinterest (Opens in new window)1Click to share on Tumblr (Opens in new window)Click to email this to a friend (Opens in new window)
35mm
Camera
Canon
Film
SLR
T50
35mm Film
Camera Reviews
Canon
SLR
15 comments
Avatar\t
JR
DECEMBER 22, 2014 AT 9:25 PM
It’s very interesting to see how much my recent camera buying/shooting matches yours. I bought a couple Nikon L35AFs within the last few months, and I bought a T50 at a local film store since I had a few FD lenses (most from by mom’s AE-1P), and since the sticker said:
“$9.99.
WORKS!”
I left the sticker on it.
I shot a couple rolls through it because I was going hiking, and the widest “real” lens I had (my Vivitar Ultra Wide and Slim with 22mm came along, but it is obviously more of a toy.) was an FD 28mm f2.8 S.C.. Turns out, it’s a fantastic lens, and I just decided to let go of the control I think I need and just focus on trying to make great images. I did manage a few. http://instagram.com/p/u3jTSWKyGK/
If my life weren’t so crazy right now, I’d insist that you let me come on board for guest posts or other content, haha. Seems like we have similar tastes. Anyway, keep up the good work. See you around.
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James\t
James
DECEMBER 22, 2014 AT 10:28 PM
Thanks for the comment, my friend. It’s good to be busy.
Love your instagram feed. Keep up the good shooting. And let me know if you would ever have the time to contribute. Always looking to connect with visitors.
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Randle P. McMurphy
JANUARY 8, 2015 AT 2:31 PM
Never loved this model range – even not the Nikon EM
because of this Plastic-Fantastic-Feeling.
I was close to buy and level up from my Canon AE 1
to a T90 but change my mind after hold it in my hands.
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James\t
James
AUGUST 12, 2015 AT 2:30 AM
Looking forward to reviewing the T90 though.
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Marc
MAY 16, 2015 AT 8:29 AM
I had this thing back in the eighties and still cherrish the travel photo’s it took with it from Nepal, India, Egypt and Turkey. It was indeed extremely simple to use, hence the many keepers from it that i still have kept in my collection now.
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James\t
James
AUGUST 12, 2015 AT 2:29 AM
Would love to see some of those shots….
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mmarquar
AUGUST 12, 2015 AT 2:12 AM
Nice review of an interesting camera.
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James\t
James
AUGUST 12, 2015 AT 2:22 AM
Thanks for the kind words!
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Carl Emblidge
AUGUST 7, 2016 AT 5:35 PM
I thought I owned the only one, lol. As an artist and casual photophile, I LOVED this camera. It consumed roll after roll and never disappointed me. I didn’t know any different, because it was a graduation present, so I get the flaws, but it’s also a tool. Somewhere between my eye and my idea were the countless prints I made, and that’s all that mattered to me. Now all digitalized and loving the jump to the 21st C, I’m glad I had this camera!
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James\t
James
AUGUST 7, 2016 AT 5:39 PM
Happy to hear it. It’s a great camera, and under valued today.
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Frank Lehnen
AUGUST 10, 2016 AT 9:40 AM
I hated the looks of Canon’s T-Series way back in the eighties – that killed Canon for me then. But some months ago I baought a T50 on a whim and I’m amazed. Feels good in hand, not too noisy… well noisier than my AE-1 on course… and first of all it does not distract me from composing my images.
It’s the SLR Equivalent of my Olympus XA2. Totally inobstrusive and liberating. I bought a T70 just afterwards…. I’m still getting used to the looks though
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yashicachris
FEBRUARY 21, 2017 AT 6:55 PM
Great review. I will say this about the T50 and T70… I would take my T70 to places that I would never dream of taking my F-1 or A-1 to. Yes when new, the T70 was about $330 or something which wasn’t cheap, but, no one messed with you if all you had was a T70. Hang the F-1 around your neck and you suddenly become a target.
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Dr. Ko
MAY 7, 2017 AT 12:24 PM
Yes, the T70 can be found for close to nothing because of it looks, at the same time it offers great function and I love the AA battery option.
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Lorenzo
DECEMBER 11, 2017 AT 7:58 AM
I also have a T50… for me this is just a better built point’n’shoot camera. I’m used to pair it with a 28mm lens and a fast film… set the focus at 2.5 meters and go shooting hassle free…
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Joe shoots resurrected cameras
APRIL 29, 2018 AT 12:11 AM
Yeah the T50’s not bad, but I prefer the Pentax A3000 because it will do aperture priority and program modes. They both take AA batteries which is a Godsend.
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Canon T50 – Camera Review
James Tocchio May 5, 2014 15
Throughout the 1970s, camera makers everywhere were surging forward on a wave of technological advancement. The continually improved designs of SLRs coupled with perfect marketing practices created astronomical retail success for Single Lens Reflex makers. To meet demand, the big Japanese camera firms continued to produce SLRs in unbelievable numbers for the duration of the decade. By the start of the 1980’s, however, this feverish production had led to market saturation. Sales of SLRs began to drop precipitously in the following three years, as most photographers who wanted an SLR already owned one.
It was obvious that camera makers needed to court new shooters, but new shooters were more often intimidated by the complexity of SLRs. Sales indicated that new photo hobbyists were looking ever more towards the newer and simpler-to-use point-and-shoot cameras. These point-and-shoot machines were stylish, user-friendly, and flaunted greater automation over their SLR ancestors.
By the end of 1983 the SLR camera’s fall from grace was a sad reality, and camera makers all began vying for a larger slice of the growing new-user market. Canon was one of the first to take the usability and automation of a point-and-shoot camera and adapt it into an SLR body, and in 1983 they released a camera that would be one of the simplest SLRs of all time, the Canon T50.
Canon T50 Camera
Aesthetically the T50 is polarizing. It doesn’t have the classically beautiful lines of a German rangefinder or the rugged purposefulness of countless SLRs before it. It’s a mix of strange angles and odd curves, moulded from matte-black polycarbonate with mustard lettering. It’s a bit too large, and the hand-grip looks more like a tumor than a well-sussed design element. The strap lugs are out of balance and placed oddly on the front of the body, and the rest of the shell is visually barren. 1980’s fetishism aside, it’s a pretty ugly camera.
>сука как бы не съехатбся
Вопрос времени.
> Что мотивирует лично тебя вставать по утрам и идти работать, анон?
1.
Мамка очень расстроится, если я брошу работу и целыми днями буду дома сидеть.
2.
Сильно боюсь деградировать дома до такого состояяние, что вообще не смогу общаться и работать.
3.
Чисто теоретически в будущем у меня должна быть недвижимоть где жить и недвижимоть которую можно сдавать.
Сейчас есть две квартиры, обе я сдаю, чистый доход с каждой 15к в месяц МО. ну повезло хули
Если откладывать деньги с них на вклад плюс с зарплаты, думаю удастся разменять на более удачный варианты.
Нужно где-то 3кк рублей на обе квартиры.
Слышал такое от кореша, который водкой торгует, то же самое говорил.
e
Деньги, естессно. И моя няша, да
Двачую по всем статьям. Правда должность у меня уже лет 9 не меняется. Но на нынешнем месте работа в лайт режиме. И мозг начинает рефлексировать. Хотя надмозгом понимаю - что наоборот, каеф, не надо жопу рвать. Тоже пью
Но я эту ситуевину стараюсь рассматривать комплексно, не только работу - но и вообще жисть свою. Думаю, что здорово смотреть на все это так: жисть - это путь, а не цель. Целей нет. Если это дело прочувствовать и принять - то нет разочарований. Не думаешь утром, двигая на работу -что вот, а мог бы ЖЫТЬ. Ибо это просто путь
Привет из Австралии?
>мысли о бессмысленности такой жизни, вечном рабстве, болезнях
>Я только к концу каникул начал снова ощущать жизнь
По этим пунктам та же хуйня. Я даже эти выходные по привычке каникулами называю.
А куда спать и срать? Всегда интересовало это вот.
>45 с коммуналкой
Что за хата у тебя, пидарас?! 300 квадратов штоле сука?! Отвечай, падла
>с рекрутеркой
С рекрутершей, блядь.
Однушка с приличным ремонтом в 100 метрах от метро
А что за работа была?
С этими феминитивами хуй проссы как правильно
Очередные пиздежи от успешного понаеха, наверняка работает эникеем на подсосе и снимает в бирюлево залупу с видом на ТЭЦ, ага, все вы пиздачи.
Спасибо тебе, хорошее дело делаешь, вайпаешь бототред.
Киргизки норм жёны, т.к. их с детства приучают к покорности мужчине. Но если дашь слабину после свадьбы — тебе пиздец. Будешь содержать весь аул.
Уволился 27 декабря так как обосрался с проектом и вообще обосрался и вонь дошла до заказчика
Понял какое же я говно, выставил резюме на HH и через 3 дня получил работу на 25% выше ЗП только условия не такие раслабленные, что хорошо может ебать будут и пиздить чтоб я РАБотал а не пиздострадал и деградировал, ведь я безвольная шлюха. Как обычно годик отРАБотаю и свалю в тай на полгода просирать деньги.
Мимо 250K программист фуллстек
Понял какое же я говно, выставил резюме на HH и через 3 дня получил работу на 25% выше ЗП только условия не такие раслабленные, что хорошо может ебать будут и пиздить чтоб я РАБотал а не пиздострадал и деградировал, ведь я безвольная шлюха. Как обычно годик отРАБотаю и свалю в тай на полгода просирать деньги.
Мимо 250K программист фуллстек
Я магазинный работник. У меня подъем в 9:30. А рабочий день в 11:00. А ещё у меня график 2/2. Поэтому наконец-то мне на работу идти не в напряг.
В Беларуси мотивирует зарплата в 500$. Правда она есть только в Евроопте в столице. Ну я и там.
Смены - волшебная тема. Хочешь переработать - набирай подработок.
Хочешь путешествия хоть в Питер, хоть во Львов - отгулы, замены с коллегами.
Пришла доставочка/в собес нужно/в особый магазин/в банк/ что угодно работает в пятидневку? У тебя в будний день целый день гарантированно свободный всегда есть.
Раб пятидневки в понедельник мечтает о пятнице, а я в этот понедельник либо сплю, либо ставлю будильник и иду по своим делам. Могу напролет аутировать за консолью.
Работаю не 24 дня, а 15 дней.
А да, выхожу в конце января так как хотел как следует продеградировать
Мне жилищка её сказала что если я её брошу по жесткому или изменю или подобное, она меня нахуй зарежет.
>айтимразь за 200+
Как вкатиться к вам на такую з/п? пидор бля! вот нахуя тебе столько?! Мне б 50 за глаза
Че тебе жопу то рвет? Как есть сказал
Linux+ Kubernetes + Docker + JS + Ruby|Python|Go|NET|Java + распиаренная в данный момент фреймворк хуйня
Собственно никаких секретов тут нет, просто ебошишь как конь и учишься по вечерам как ботан. Устраиваешься через год джуном на 70, через год повышаешься до 120, потом еще. Всё это время ебошишь как конь и учишься как ботан
> Что мотивирует лично тебя вставать по утрам и идти работать, анон?
пикрл
Утешай себя. Я кстати, года джва-три назад покупал хуйникен в КБ и чот говнище какое-то оказалось. Сравнил с магазинным обычным — разница есть. Так что не пиздёж это.
Пиздят, 100%, анон. В госпараше много не получишь, а в коммерции нужно шутить не смешное, подсасывать начальнику и ходить на корпораты, тогда будет 100+.
Конечно, еще б ты обратное сказал, все понаехи пиздят и кажутся успешными, иначе зачем приехали. Я ниразу не видел понаеха, который честно сказал что приехал на 40к и живет в залупе.
Приехал на работу. Сижу капчую. Сосу снюс. Хорошо...
Захуй мне приезжать на 40к и жить в залупе, если я у себя в пердях зарабатывал 70 и жил в 10 минутах от центра? Чего тебе жопу то рвет, можешь сказать?
То что я работаю на еду, лол.
Если я не буду работать, то я не буду есть.
Если про девушку, то да.
Про дрочку нет, для меня было бы слишком жирновато.
Хотя история про крысу начиналась неплохо, но под конец у меня пропал интерес к этой стори и я хуево закончил. Кажется в каком то треде писал хуйню про поедание волос, поэтому и забил.
Мне не рвет абсолютно, не я же рассказываю про нормоблядскую жизнь.
> года джва-три назад покупал хуйникен в КБ и чот говнище какое-то оказалось. Сравнил с магазинным обычным — разница есть
Ну это вообще пушка.
>врёти ряя
>не рвет абсолютно
Ну хорошо, что не рвет, мне показалось, видать
Не знаю про линию на заводе, но Хуйнекен волжского разлива хуже, чем оригинального питерского.
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
ОТСУТСТВИЕ СВОЕГО ЖИЛЬЯ И НУЖДА В ДЕНЬГАХ
зачем ты мне про это напомнил блять
Меня ничего не мотивирует. Накопил 400-500к до лета, фрилансю, развиваю ютуб и инстаграм для продажи рекламы. Если нихуя не получится, опять буду вздрагивать от пикчи этого кота каждое воскресенье. Или съебу на Бали и стану барменом.
Религия не позволяет завести нормальную карту вместо ублюдского спермбанка?
Котаны, поясните про пассивный доход? Всякие паблики-хуяблики. Это говно работает штоле? Сколько раз слышал слово "СММ", но нихуя не вдавался никогда. Заебало работать, хочу что-нибудь запилить такое, чтобы ничего не делать, а все было.
Тебе придется создавать контент для паблика, либо пиздить его. На пижженном контенте взрывного роста не будет. Узкие тематики тоже не заходят. Ну и на начальном этапе - надо вкладывать деньги в раскрутку своего паблоса, от 100к. Речь про инстаграм, например.
А у меня сегодня впервые снег пошёл за зиму
Если речь идёт о развлекательных пабликах с мемесами, то мне кажется, что сейчас они нахуй никому не нужны. Да и сложно будет конкурировать со всякими МДК и прочей залупой.
Единственная более лимение нормальная хуйня, как мне кажется - это заводить и вести инстаграмм-аккаунты для всяких магазинов со шмотками, ибо продажи щас уходят в онлайн и нонейм магазины с турецкими джинсами и прочим ширпотребом остаются на обочине. Особенно актуально для мухосрани.
У меня в городе вообще торговые центры стоят полупустые - ни посетителей, ни торгашей. И с каждым годом их становится всё меньше.
Пиздос-календарь кто-нибудь на этот год сделал?
А что есть раскрутка? Платить пидорам всяким, чтобы размещали на него ссылки?
Чо как вы тут, работяги?
таргетированную рекламу в инстаграме покупать
Рекламу купи, контент пили. Хуйня какая-то.
Пидоры тоже подойдут. Тебе надо подписоту накопить, чтоб посты твои читала.
А если барыжить какой-нибудь хуйней? Типа на авито брать объяву, дублировать, накидывать пару соток сверху. Ну, не вручную, конечно, накодить какую-нибудь хуйню, чтобы рандомные объявления, скажем, с ценником от 5к дублировала.
1. Мне нравится моя работа.
2. Часть нагрузки в магистратуре снимается благодаря рабочим задачам. Ну типа там всякие РГЗ, курсачи.
3. Я получаю за это бабки (работают, как правило, для этого), вполне неплохие.
4. На работе я сижу за компиком, отвечаю в двощ, пью кофе. То же, что и дома, но просто медленнее.
5. Я ощущаю себя блядь человеком, потому что занимаюсь тем, чем мне нравится, а создаю треды шизовысерные о том, что как хуёво быть инцелом-безработным-у-мамы-шея-все-слабее.
6. Соответственно, прогрессирую как специалист и обеспечиваю себе еще более пиздатое будущее
Пиздец, собрался увольняться, а мне зарплату на 15к подняли. О том что увольняюсь, я еще не говорил. Хуй знает что теперь делать
Трипл, лови совет: за день до начала работы ты берёшь и просыпаешься по будильнику как обычно на РАБоту. Поверь, этого хватит, что бы войти в режим
так уже делают тащемта. Хз как оно работает вообще.
Или вот еще годная схема - ездить по всяким авторазборкам, фоткать имеющиеся у них запчасти и выставлять на авито/фарпост за цену на пару соток выше, чем они продают по факту. Ну то есть по факту ты такой, разъездной продавец, берущий себе пару сотен в виде комиссии за проданную железку.
Профит двойной - владельцам разборки не надо ебаться с выставлением сотен запчастей и отслеживать активность клиентов, а тебе - пару сотен рублей с каждой проданной запчасти.
скока плотят?
У нас в позапрошлом году после новогодних праздников в первый рабочий день вместо "на работу" чувак вышел в окно. Думаю не он один.
А ты че думал, что есть такой специальный способ для сычей, когда ничего не делаешь, а бабки текут?
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Денюжечки
35к+раз в квартал+15к стипа магистранта.
Грубо говоря, дохуя, для того, кто сидит на дваче и палит нетфликс.
Живу с мамой, поэтому за хату не плачу.
Блять, такая же хуйня. ЗП 55к, листаю двачи, фриланшу, занимаюсь своими делами, ИЗРЕДКА работаю. Грызет совесть пиздос. Тебя нет?
Ага. Не все же сычам страдать.
скока щас получаешь?
Можно попробовать, кстати. Живу на границе с Эстошкой, можно попробовать их сайты подербанить на предмет запчастей, правда я не разбираюсь в автозалупе вообще никак.
Уже 90
Ну здрасте здрасте! Вот мы и на работке дааа , ну те кто офисное быдло как я , у которых положеные 8 дней отдыха. честно я заебался дома валяться и бухать, на 8 дней один раз поебался с тянкой и все , отказался от новой работы с высокой зп но заебистым графиком, в пользу старой работы с низкой зп но проебистым графиком)
Ух бля. И вот как в этом говне разбираться?
Сук, тоже хочу 90 получать
Так работай больше, учись новому
Работа в айти. Насобирать связей/опыта и съебать нахуй.
да хуйня. тупо выкладываешь всё, что у них имеется. И твоя задача - принимать звонки, отвечать на вопросы клиентов о наличии и состояния запчастей и тд. Меня что в этой схеме привлекает - ты никак не зависишь от владельца разборки. И он от тебя тоже. Ему не надо платить тебе ЗП и каким-либо образом стимулировать на продажи.
Но, как сам понимаешь, обычный сыч-омежка с такой хуитой не справится. Надо быть кабанчиком на подскоке и желательно с тачкой.
а ты кем роботаешь? айтишнеиком? в ДС живешь?
у нас во владивостоке начальники отделов тыщ 80 от силы получают
>айтишнеиком?
Да, сетевым инженегром
>в ДС живешь?
Нет, 100 км от ДС, работаю в своей мухосрани
А я и не вставал, потому что не ложился. Каждый раз когда отдыхаю 3+ дня режим скатывается к удобному для меня ночью жизнь, днем в склеп. Очень грущу от малого количества ночных вакансий:с
1. Работа нравиться, работа по специальности, и сфера деятельности на которую хотел с 7 класса.
2. Работа супер не пыльная и никакой ответственности на мне по факту нету.
3. Платят деньгу которой хватает на хотелки.
4. Благодаря работе чувствую себя лучше, как человек который что-то делает, когда сижу ебалню месяцами начанала самочувствие ухудшаться.
5. На работе все равно можно брать и сидеть на двачах, так что много не теряю, + работа на полставки.
Единственны минус, что времени и сил на зал не остаться, так как и работа и учёба.
Это кем ты таким стремился стать с 7 класса?
Год новый, проблемы старые, опять на клапан давит и контейнер разогревать.
сколько плотят?
Ебал твою Бибигуль Жасасыновну на вписке, задавай ответы.
Ты заебал. У самого то какая зп? Кем работаешь?
С утра пиздец как влом просыпаться, а потом пару часиков поработаешь и нормалек, жить можно.
У вас так же?
У вас так же?
да ,сижу кофе пью вторую кружку и поперживаю шептунами в кабинете
РАБотаем потихонечку
Ух бля, через три часа на собеседование ехать.
К 22м годам наконец то созрел на то чтоб найти НОРМАЛЬНУЮ работу в офисе, т.к неожиданно понял что если и дальше сидеть у родителей на шее и тешить себя надеждами на то что завтра придумаю как заработать миллион - не заработаю нихуя.
Хочу через месяц-два снять квартиру, эх, вот красота то будет!
Так что да, я то пиздец мотивирован.
К 22м годам наконец то созрел на то чтоб найти НОРМАЛЬНУЮ работу в офисе, т.к неожиданно понял что если и дальше сидеть у родителей на шее и тешить себя надеждами на то что завтра придумаю как заработать миллион - не заработаю нихуя.
Хочу через месяц-два снять квартиру, эх, вот красота то будет!
Так что да, я то пиздец мотивирован.
Инженером естественно
24
Сука, не хочу в субботу работать. Почему нельзя просто подарить один выходной день, почему за него надо отрабатывать? Если бы не суббота, то я бы вообще норм себя чувствовал.
ну а хули вы не пишете размер получки?
Мне 60к плотят, живу на ДВ, мухосрань.
работаю инженером в воентелекоме
Чего инженеришь?
Красивая картинка
Удачи, анон. Отпишись потом, как прошло.
запиши собеседование на диктофон, бро.
хочу послушать как они вообще проходят.
Схемотехника
на 3ем пике выглядит как оптоволокно
Сложно?
>что мотивирует
жрать хочется, пиво пить хочется, за инет и т.д. платить надо...
В рот мне ноги, 2,5 часа работаю, а в голове кажется что уже часов на шесть натикало. Не время а резина просто сегодня.
бля урчит в животе а посрать не могу
Бабло, бухло, шлюхи
> Бабло, бухло, шлюхи
Кто все эти люди?
Пока нет, но мне и не давали чего-то сложного пока, было интересное задание , сейчас муторное и скучное достаточно. Но схемотехника точно проще других направлений куда я могу после учёбы пойти.
Чё-то в первый день все работают уже, а я вообще не соображаю ничего.
Какой потолок зарплаты для схемотехника в твоей шараге?
хорошо, когда один в кабинете. Мне приходится выходить на улицу, дабы пропердеться, ибо со мной еще два сотрудника сидят.
СИОЗС нужно подбирать, иногда долго и тщательно, а эффект ждать не меньше двух недель, как правило. Лирика и/или алпразолам помогут сразу.
Да я всё не решусь никак, не хочу, чтобы мне эти колёса биохимию мозга взъебали.
Тысяч 100, дальше уже руководящие должности, а просто чуваку вот так. Если ты про работу
всё хуйня, я впервые с 2015 на двач зашёл
вот это на самом деле пиздос
>результат чтения на английском вместо русского на постоянке
In dependence?
в том то и дело что я не один, еще две бабы со мной, поэтому тольо давлю шептунов
Это ДС?
Очень даже заебись.
А что что?
Кстати хочу сбросить пару кг с пуза в этом году, но так как ленивое хуйло, беру велотренажер и каждый день буду вечером после работы смотреть стримчики и крутить педали, как вам идея?
Горшок свой, оборачиваю его в мусорный мешок и туда сру. Ссу в двухлитровый батл от колы.
Ты не поверишь анон, но я не пью
Совсем
Максимум два раза в год - на корпоратив и на новый год
Совсем
Максимум два раза в год - на корпоратив и на новый год
Забросишь через неделю.
Да
Уныло что пиздец заебет, лучше гуляй вечером/бегай на улице, под музыку подкасты, это не так уныло и однообразно. А самый действенный способ считать калории
Ты хуй
баки
>Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Ну надо же как-то убивать время.
>эти колёса
Какие именно?
мимо принимал СИОЗС и СИОЗСиН, без особого долговременного эффекта, впрочем
Колёса — это временный костыль, пока ты сам, блять, не захочешь и не будешь менять свою жизнь.
Ну, эти пару дней до выходных я даже не считаю за рабочие - делать особо ничего не планирую. Только вот зп будет только на след. неделе, закралась мыслишка взять пару тонн в мфо, есть у кого не слишком мозгоебные конторки на примете?
>велотренажер
Лучше купи норм вел с зимней резиной и катай по своей мухосрани. Я так правда, летом такие живопиписные места нашёл у себя в городе, что аж ахуел, в позитивном смысле.
>взять пару тонн в мфо
я не могу от компа оторваться, там столько приколюх, дома еще можно крутить медали голышом и дрочить
>можно крутить медали голышом и дрочить
Обосрался.
ты на кухне что ли работаешь?
Да у них у всех побочки серьезные.
Нет, просто обитатели кабинета излишне гостеприимные.
Какой сегодня праздник?
Не знаю как вы, а я еле дождался когда праздники кончатся. Все выходные тупо лежал на диване, дохуя спал и ничего не хотелось вообще. Даже в магаз за едой лень идти было. А сейчас пришел на свою днищенскую работу где я все ненавижу и сразу себя живым почувствовал. Жду не дождусь когда домой приду и поиграю в игры, почитаю, немного порисую. Прокрастинацию как рукой сняло. Хз почему так происходит, но лучше уж так чем вообще никак.
>Вот тебе и результат чтения на английском вместо русского на постоянке
Двачую, у самого грамотность сильно просела
Да ты поехал уже похоже.
Смена обстановки как правило благоприятно влияет на психологическое состояние поциентов.
мимо клинический психолог
Ув. психолог, почему мне дома не хочется делать ничего? Не могу слушать музыку, поклеить обои, играть на гитаре, даже засыпаю с трудом. На работе же делаю всё с удовольствием, на лыжах/велосипеде в лесу тоже чувствую себя хорошо. Что делать, окропить помещение?
Куда пропал Шерстяной Несрун?
инб4: Наконец то просрался и умер от счастья
инб4: Наконец то просрался и умер от счастья
У них там есть какой-то лимит на объявы? Там же какие-то голд-хуелд аккаунты еще, да?
Разве это говно не должно иметь хоть какую то пояснительную записку?
Насоздавали блять тредов, ныл вообще не там где нужно
Под 50к выходит.
У меня киоск внутри другого заведения находится. Формально есть холодильник, микроволновка, стиралка и душ.
Да не, принцип работы понятен.
Заебывает только разбирать эти полустертые, несколько раз переправленные артефакты советской эпохи.
придумал бизнес: буду делать чоколадные конфеты в форме ЗАЛУПЫ , а слоган будет -"Есть время? Закинь ЗАЛУПУ за щеку" ахахаха как вам?
Огонь! И еще снять рекламу, где ходит нигра с открытой коробкой с конфетками и в одну дырку просунут хуй и залупа лежит рядом с конфетками так, что не отличить сразу.
Лучше конфеты "У барина" - Возьми "У барина" за щеку.
1) ненормированный рабочий день - нормально приходить в 10-11 утра
2) возможность сказать "я сегодня работаю из дома"
3) бонусы за обьем работы
4) комфортные условия в офисе (пикрелейтед зона отдыха даж поспать можно)
и всеравно бывает впадлу работать признаю
Сделай начальнику подарок к 8 марта - "Залупа за щеку".
> Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Мамкины пиздюли. Она меня побьет если я на работу не буду ходить
дурак, у Ниг залупы розовые , как ладошки
Тебя мотивирует Ежи Штур?
Решил забить на программирование и заниматься только сутенерством вебкам-моделей. Это оплачивается намного лучше.
теперь это рабочего места тред
постим фоточки уютных офисов и заводов
как же пучит живот!!! побежал пропедется в толчек....
Я и 31 и 1 пахал, до первого выходного еще 120 дней. Первый тред у них блять.
Только быдло ходит в зал и ко-кочалку же
опенспейс это пиздос говнище для офисного быдла
на кирпичном заводе в чечне работаешь?
Откуда знаешь?
почему? пиздато мне нравится, это коворкинг вообще, не нравится опенспейс есть кабинки отдельные метр на метр с диванчиком и звукоизоляцией, есть переговорки от 4 до 16 человек, есть зона кафе и отдыха...я в разных местах работал от склада до своего директорского кабинета с большим столом буквой Т, в коворкинге наиболее спокойно и расслабленно себя ощущаю
Кем? Сколько плотют?
Не говори слишком много, а то я расплакаюсь.
Какие подводные? Набутылить за такое могут? Нологи не плотишь?
>коворкинг
>опенспейс
Хр птьфу
Ну могут приравнять к обычному сутенерству, но похуй... Сам знаешь. К тому же, в Рашке тебя могут посадить вообще без суда и следствия, это же срана беззакония, поэтому либо ты рискуешь, либо остаешься нищим.
digital marketing - реклама консультации трафик креативы -такое всякое. 1700 usd + bonus
Лучше вебкамшлюхой, меньше дадут.
я вот на работе тиндер установил, сижу листаю тяночек
Да мне похуй сколько дадут. Есть спрос на женское тело. Был бы спрос на моё пузо, сидели бы с мужиками под пивко.
Нет, инженер спутниковой связи и программист 1с. Еботека заставляет хуярить без выхов.
сколько плотют? какой город?
сложно инженерить?
Пиздос, после нг цены в родной столовке подняли аж на 12%. И как только ублюдки-аналитики насчитали именно такую цифру. Слава богу, именно с этого дня я начал контейнерить. НО ХЛЕБ ТОЖЕ СДЕЛАЛИ ПЛАТНЫМ. Нахуй так жить, сука
>инженер спутниковой связи и программист 1с.
Как это можно сочетать? Ты в бух учете силен?
Страдай, питух.
А чому хлеб с собой не носишь?
Пострадал тебе в ротешник
Меньше 2х часов.
Ну вот теперь придётся. Только для хлеба понадобится отдельный контейнер
бамп кухней офиса
бля , а комната для дрочения хуя есть???
Барского да.
мы там трех минутные блицы ебашите чтоле? зачем шахматы за обедом
Нужда, ну иногда когда думаеш что твой труд нужен людям
бля пацаны я засыпаю за компом на работе, пойду кофе делать, но хз поможет ли это
Кем роботоешь? Сколько плотют?
Ты чо троллиш что ли?Никто тебе ничего необязан, если ты не больной.
Это всегда при любом строе будет.Здоровые→трудится!
Угадайте профессию
зачем убивать, профитов никаких же
никто не хранит там денег, просто сбер дефолтный банк, переводы от физлиц быстрые без коммисии и удобные по номеру телефона.
и хорошо что наплодилось, значит ходовой товар, не уступай по качеству/цене и тоже будешь в плюсе
да не пизди, я как скот отсыпался 3 дня, потом пару дней жил, потом пару дней график восстаналивал, хоп и будильник на работу
Как что? Бля ну конечно же деньги, что бы купить пожрать оплатить коммуналку и тд
> Что мотивирует лично тебя вставать по утрам и идти работать, анон?
Офис, ребята, кофе и печеньки, приятное рабочее место и нормальные задачи.
пхп макака
Разочарую тебя анон.На зоне ты обязан работать иначе пытки.Пытки карцером и побои могут и совсем забить.Мало того по тюремному закону самих арестантов, ты обязан работать на блатных, и за блатных бесплатно.Иначе побои и в петухи.
Дворник в Газпроме.
в пизду! в 2020 стану блогером, с завтрашнего дня начну что нибудь вытворять и записывать на утюб выкладывать
И побежала спасать бизнес всвязи с изменениями в экономической ситуации?
неа
нет
Членосос
у нас ненормированный рабочий день - играй скок хочешь, лишь бы работа была сделана и клиенты довольны
На качай ноги синтолом будешь ноги базуки
Не первый.
Меня мотивирует желание учить детей и то, что без работы я вообще никто, мне нечего делать, некуда идти, незачем жить
это что алкоголь????
Нормальный человек в треде. Что за место, кем работаешь?
А я и не работаю.
О про брата книгу бушкова вспомнил"самый далекий берег" у них там в галактической цивилизации кормили бесплатно, но плохо и одевали бесплатно, но по минимуму.Т е нехочеш работать будеш жить приживалкой, хочеш жить лучше трудись.Деньги были но типа чтоб стимулировать людей(гуманойдов)
Княжна Тараканова, подите нахуй прочь.
потому что на работе тебе за это платят, а дома нит
Червь-пидор-эникей
Ты че в дурке работаешь?
какая княжна, шизоид?
Можно снаркоманится же!
Др анон
Новый год, новый пиздос.
Хуй синтоловый
Там платят деньги. А эти деньги можно обменять на еду, интернеты и т.д.
нихуя. я не работаю. мне предлагают такую зарплату, что на неё нихуя не купишь, только поесть, да и то мивины разве что. я ебал работать за копейки. в ИТ не берут, потушо я гуманиитарий, хотел стать ШРомм, но там тупо бабы одни у них там лобби и меня туда не берут(ору! там работает моя одногрупница, которая не могла 2 листа текста запоммнить, а щас модная ИТ ШР, ПИЗДОС!!! ) . Я вобще считаю, что ШРы находятся в неком сговоре, но это другая тема. Короче всё сложилогсь так, что мне светит только низка зп и задроченный рабочий процесс, а я на такое не согласен. Я нашел сейчас способ добычи денег и понял что работа на кого то - это ебаное рабство, и если уж продаваться то задорого, а не блять за 8К грывэнь тачать детали или грузить какую то хуйню. При том, что ладно бы всё упиралось в малые деньги, но на таких работах же еще и контингент пиздец, я как то на заводе работал, ну там народ блять. Они уже точно рабы, я вам говорю. Им похуй на свои права, здоровье впрочем как и на всё остальное. По всем раскладам я занимаюсь опасным делом, но сука, я ебал работу в том виде в котором мне её передлагают.
Давление, вегетососудстая дтстония, и грипп еще так болит.Проверь горло и температуру.От гриппа флемаксин солютаб помогает, но он по рецепту только.А так кагоцел помоему без рецепта.Вобще анон зайди к терапевту.Можно и к платному.Да дорого зато там очередь меньше.А с серьезным гриппом трудится здоровье терять.
*дистония
Был вариант отработать сегодня и завтра и дальше работать как обычно 5/2.
Пришёл сегодня, пару часов потупил в вентканалы, понял, что мне вот настолько похуй и что я не хочу этим заниматься от слова совсем. Сходил в столовку и съебался домой. Придётся выходить в субботы на следующей неделе, ну и ладно.
По дороге взял пивандепулу и сижу читаю фанфики по соул итеру и слушаю all my faith lost.
Пришёл сегодня, пару часов потупил в вентканалы, понял, что мне вот настолько похуй и что я не хочу этим заниматься от слова совсем. Сходил в столовку и съебался домой. Придётся выходить в субботы на следующей неделе, ну и ладно.
По дороге взял пивандепулу и сижу читаю фанфики по соул итеру и слушаю all my faith lost.
Тараканова.
да, это кто-то принес, если конфеты или торт лежит на стойке - можно жрать - а тут бутылка без этикетки и штопор
выше писал - маркетинг
Дс?
Ты дальнозоркий чтоли? Хули такие цифры мелкие?
а, понятно
Я тут понял, как же охуенно выросла моя эффективность труда с четырехдневкой, когда в среду выходной. Но нет, хуй там пожуй.
восточная европка
Бля, всего 6 дней осталось играть в игры, смотреть фильмы и дрочить, потом надо на экзамен на пару часов сходить, потом ещё неделю отдохну, схожу на экзамен, потом 4 отдохну и на еще один схожу. Потом 2,5 недели каникул, ещё чуть-чуть отдохну, потом открою справку на недельку, ну с марта уже можно начать ходить на половину семинаров, ну а там 2,5 месяца и лето, смогу ещё немножко отдохнуть.
Эй, говнюки, джва часа осталось!
Что такое ШР?
Отдел кадров
мимо
Рббство ближе, чем кажется, наслаждайся, пока можешь.
Соединители ШР предназначены для работы в электрических цепях постоянного, переменного (частотой до 3 МГц) токов при напряжении до 850 В (амплитудное значение).
Школа рабочих
Кстати поссал на вас
Как же я ненавижу дни рождения и свои, и чужие, пиздец просто.
ПОЙДЕМТЕ ПОШЛИТЕ ЧАЙ ПИТЬ))))) СИЛЬНО НЕ НАПИВАЙСЯ)))) СКИДЫВАЕМСЯ))))
ууух бля
ПОЙДЕМТЕ ПОШЛИТЕ ЧАЙ ПИТЬ))))) СИЛЬНО НЕ НАПИВАЙСЯ)))) СКИДЫВАЕМСЯ))))
ууух бля
Что это за говно? Поясни ка быстренько.
это еще не так хуёво как когда кто-т очто-то родит и начинааается скидываемся
шлюхи распиздяйки
> чистый доход с каждой 15к в месяц МО
хуясе, дворцы что ли сдаешь?
в моей мухосрани 15к примерно потолок для двушки + 5к ценник на коммуналку
восточное-подмосковье-хуй
шариковые ручки
шершни-рептилоиды
Ъуъуъу сука тоже ненавижу меня не ебет чужой др
Свой день рождения не отмечаю, на чужие не хожу, скидываюсь только на похороны.
Это схуяли? Я чтоль сельдь эту выебал?
Я кстати своей Уйгерын сделал оливьешку, никогда не пробовала сказала оче жирно и сытно, ну да, а её хрючево с маслом и жиром сайгака так прям диетическое ажно обои отклеиваются.
> у нас ненормированный рабочий день - играй скок хочешь
ты хотел сказать перерабатывай сколько хочешь
ясно, так и знал что для понта дешевого шахматы там
С мамкой ее познакомил?
На пенту выходим еще и в субботу.
Нет, и рассказывать подробности тоже не стал, она знает что у меня есть тня, лютейше с этого проигрывает и меня подъябывает ехидно, но бузить перестала, что типа лучше с тней, чем жополазом.
а я всё пацаны, безработный теперь.
Надо новую кабалу искать, чем-то же кисика нужно кормить и за квартирку.
Эх как же хуёво жить при капитализме
Я ж говорил, что она привыкнет.
закрыл ипотеку, написал по собственному и ещё 2 недели с лицом лягушки ходишь на нелюбимую работу
Слушаюсь, семпай
Это Фигма.
Лучшая программа Скетчедаунам привет для ux\ui дизайна
ответил
не равняй всех по себе я на работе более 4-5 часов не сижу и в шахматы поиграть успеваю
Почему праздничные дни не отмечены?
Итт канеш не для пиздостраданий и омегоприпадков, но полный пиздос
Насчет бабского сговора hrов ты верно подметил. Меня в бухгалтера по то йже причине не хотели брать, но я хорош собой, так что приняли. Аналогично у hrов в отделе тоже есть парень, и тоже хорош собой. Так что проблема тут скорее всего в том, что ты уродец
То что мне выебут мозги звонками
Не все офисоблядки так то
Я вообще отдыхаю по немецким праздникам
Охуенно анон, сохранил!
Два хороша с собой
Фашист штоли?
Бандеровец
А я в какой-то другой рисовал. Платная и жирная с кучей всяких приблуд.
>мне предлагают
>не берут
>не берут
>мне светит
>я на такое не согласен
>мне её передлагают
И только оверпрайс за риск быть набутыленым, делает из нарцисичной обезьяны - человека:
>Я нашел
Полтора часика осталось.
Полчаса.
В смысле ближе? Он уже вечно уставший раб, нуждающийся в отдыхе.
Фотошоп?
Уууу бляяя. Работаю, учусь(на очкЕ), живу один, за все плачу. Охуеваю и плачу(((((((
Да, точно, забыл название.
Да ладно, учеба рассос полнейший, самые счастливые и беззаботные годы - как раз студенчество.
именно, петух. я нашёл этот способ и работаю сам на себя. я понимаю, что твой петушиный ум не может себе представить ничего кроме закладок, но всё же ты не угадал, мой друг педигрипал. Иди говно чисти!
Работаешь на совковом заводе? Военка? Беги от туда нахуй, ничего хорошего там нет. Я во время учебы съебался с военки. Не жалею.
ну да, я так себе, хотя некоторые бабы прям души не чают во мне. спс, за подтверждение заговора.
>но я хорош собой
Сильное заявление для главпитуха.
на заводе работаешь?
Дружище, получаю образование, чтобы прыгнуть потом на тёплое местечко, где мне надо будет 2 раза в день распечатать бумаги и пробить карточку на входе и выходе, пусть и платить будут относительно небольшие деньги.
вот это в точку.
Не, работаю в проектной конторе, норм в принципе, но вот заказчики разные попадаются, зачастую только с такими исходными данными.
Ебать, какой озлобленный чубатый зверёк, лол.
Хорошо, что от вас Крым в 14м отпилили, нехуй с таким говном как вы им в одном государстве жить.
Желаю тебе и в дальнейшем нищенствовать.
мимо другой анон
Ну да, ну да, в Крыму с приходом русни стало заебись. Нихуя не работает, даже пидорахабанк и воды нет, туристов нет, всех на бутылку содят - РАЙ ДЛЯ РУСНИ, но не для нормального человека. И с чего ты,убогий, взял, что я нищий? Сам то небось боярку корой закусываешь, вам же нормальных продуктов не возят.
Не завидуй, чмонкенс
Ебать, вот это аутотренинг у хохлов. Хули, ты, вообще, на российскую доску зашёл, свинья? Вас ваши же барены огорадили от ру пространства, и все равно вы свои грязные пятаки суете
ПЕРВЫЙ В ЭТОМ ГОДУ
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Что мотивирует лично тебя вставать по утрам и идти работать, анон?